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Take a Virtual Tour of Nizhoni Ranch Gallery

Take a Virtual Tour of Nizhoni Ranch Gallery

 To take a tour of the Master Weavings of the Navajo Churro Collection Exhibit click on the image above.  Thanks to Steve Miller for this great video!

 

Nizhoni Ranch Gallery

  Teec Nos Gallery Show 2020

 

 

  • Beth Barth
Happy Easter!

Happy Easter!

Happy Easter!  We hope it is filled with happiness, peace and love.

Steve, Gail, Robin and Beth

 

 

  • Beth Barth
Heard Hits It Out of the Park!

Heard Hits It Out of the Park!

Color Riot! How Color Changed Navajo Textiles
Through September 3, 2019

Color Riot! How Color Changed 

Navajo weavers’ individualism and flair for experimentation is vividly expressed in textiles from the last quarter of the 19th century.  The textiles are rooted in ideas and events the weavers experienced between 1863 and 1868, the hard years of their imprisonment in the Bosque Redondo, and their subsequent return to a reservation.  During this time, weavers saw examples of the design system of Hispanic textiles and acquired new materials such as aniline dyes and Germantown yarns that touched off their experiments with color and design. Commercial products at trading posts sparked additional design ideas for weavers. This was a time when outside market influences were at a low point. The old indigenous trading networks had been disrupted, woven garments were being replaced with commercial cloth and traders had not yet developed design constraints of the rug market that developed in the early 1900s. During this time of great change, as the Navajo rebuilt their flocks and repaired the devastation of Bosque Redondo, weavers had an unprecedented freedom to experiment. 

Change has always been a hallmark of Navajo textile design, with the weavers’ individualism to a greater or lesser degree a continuing theme. Today, Navajo textiles are viewed as art with the singular vision of the weaver appreciated and applauded just as the vision of an artist working in the Euro-American artistic tradition has always been recognized.

 Click here to view our weavings that are part of this show

 heard museum opening of color riot how color changed Navajo textiles

Private opening of the Heard's new exhibit:
 COLOR RIOT! How color changed Navajo textiles. 
We are proud to be part of this excellent show!

Steve and Gail Getzwiller with Michael Cutshall
Steve and Gail with Michael Cutchall

Heard Museum COLOR RIOT! exhibit
Heard Museum COLOR RIOT! exhibit
 
Below are the weavings from this show that are available for purchase.
  • Beth Barth
Congratulations to Dos Cabezas Wineworks!

Congratulations to Dos Cabezas Wineworks!

Dos Cabezas Wineworks, one Sonoita's local wineries has won "Best of Show", "Best Red Wine" & "Best Non-Traditional Red Blend" for their 2015 Aguileon in the 2018 azcentral.com Arizona Wine Competition! 

Quite an honor, but frankly we are not surprised.  The small family run winery headed by Todd and Kelly Bostock have been making award winning wines for more than a decade.   Their 2015 Aguileon scored 93 points - JamesSuckling.Com.

Their tasting room is casual and welcoming.  A great way to start a day of wine tasting - or start of a wine tasting weekend!  In addition to fantastic wine,  Todd and Kelly offer accommodations conveniently located next door to their wine tasting room at 3248 Hwy 82, Sonoita AZ.

Make it a weekend of weavings and wine. Both Nizhoni Ranch Gallery and Dos Cabezas Wineworks are located in the heart of the Sonoita Wine Country, just 45 minutes South East of Tucson.  

Todd and Kelly Bostock of Dos Cabeza Wineworks Sonoita AZ

Todd and Kelly Bostock of Dos Cabezas Wineworks in the high desert in Sonoita, Arizona. (Photo by Pat Shannahan)

 

 

  • Beth Barth
Thank You!  Master Weavings of the Navajo Churro Collection Exhibit

Thank You! Master Weavings of the Navajo Churro Collection Exhibit



elsie bia at the loom nizhoni ranch gallery exhibit opening

  • Beth Barth
Opening Reception for "Master Weavings of the Navajo Churro Collection"

Opening Reception for "Master Weavings of the Navajo Churro Collection"

You are cordially invited to our special opening reception in celebration of our upcoming exhibit "Master Weavings of the Navajo Churro Collection".

When:  Saturday March 9th, 12:00 pm to 3:00 pm

Where: Nizhoni Ranch Gallery, 51 E Pinto Trail, Sonoita AZ

Reception event will include a walk and talk with Steve and opportunity to watch Master Navajo Weaver Elsie Bia working on her latest rug!

Please join us!  RSVP by March 7th: 520-455-5020

  • Beth Barth
Have You Heard?

Have You Heard?

We are thrilled to announce The Heard Museum has asked us to participate
in an upcoming exhibit tentatively opening April 1, 2019!  

Combing through the entire collection and the deepest darkest vaults, we pulled some of our most dramatic and rare pieces that have not seen the light of day for many moons. The Heard asked us to focus on the most visually brilliant and mystifying weavings.  We think we nailed it.  We can't wait for the opening and will keep everyone in the loop!  

The Heard Museum

 

  • Beth Barth
Spider Rock in Snow

Spider Rock in Snow

Beautiful Spider Rock in Canyon De Chelly!
  • Beth Barth
Navajo Churro Wool Rugs and Blankets - The Getzwiller Churro Collection

Navajo Churro Wool Rugs and Blankets - The Getzwiller Churro Collection

Master Weaver Elsie Bia has created yet another special weaving!  This Ganado with Hero Twins is made with Churro wool.  Winner of a Blue ribbon at the 2018 Gallup Inter -Tribal Ceremonial.  

In the 1990s the quality and uniqueness of Navajo weavings was on the decline.  Steve met with an old friend, Ray Dewey, in Santa Fe and they discussed how the quality of Navajo weavings could be improved.  The answer was improve the quality of the wool and dyes.

For hundreds of years Churro sheep have been the center of Navajo life.  Navajo churro wool was the first weaving wool of the Navajo Nation because of its low lanolin content, long staple and translucent qualities.  Unfortunately the churro sheep were nearly exterminated by outside forces.  

In the Getzwiller Historic Textile (GHT) collection exists beautiful pieces that are 100 years old, woven with Churro wool.  Which confirms churro wool is the best and only becomes better with time.  This conclusion planted the seed to bring Navajo churro wool back to the loom.  

Steve was able to find the source of the Navajo Churro Registry where the genetics were being perfected for a better fleece.

Next, Steve found dye artists to dye the wool by hand for what would later be called the 'Navajo Churro Collection'.  Though it seems like a simple thing, this took several years to put together. The final step was finding the best weavers on the Nation who were willing to use the Churro wool. The weavers were thrilled with the wool and loved the new colors (Indigo, Cochineal and the highest quality dyes from Switzerland). With that, the Navajo Churro Collection was born.

The Navajo Churro Collection celebrates the Navajo weavers and the art of the loom. The Nizhoni Ranch Gallery exclusively offers these weavings to the world, which represent some of the finest Navajo weavings ever made.  As it is a legacy well worth preserving.  

Sandpainting Churro 679 Helene Nez Churro # 679, Helene Nez, Sand Painting
1st place AND Best of Category AND Best of All Weavings awards!  
2006 Gallup Inter-Tribal Ceremonial

 

Elsie Bia Teec Nos Pos Churro 1416Churro # 1416, Elsie Bia, Teec Nos Pos / Storm Pattern
1st place AND Best of Category awards!  
2015 Gallup Inter-Tribal Ceremonial

 

large teec nos pos churro 1574 geraldine phillips
Churro # 1574, Geraldine Phillips, Teec Nos Pos
1st place Best of Category
2018 Gallup Inter-Tribal Ceremonial

 churro 1470 celelia nez red mesa modern art navajo rug

Joe Ben Wheat Award and 2nd Place Best of Category
2016 Gallup Inter-Tribal Ceremonial
Joe Ben Wheat Award is given for exceptional Design


Bistie Sandpainting Marian Nez churro 1345
1st place Best of Category
2013 Gallup Inter-Tribal Ceremonial

  • Beth Barth
Natural Dyes - Old Traditions Dye Hard, for that we thank you!

Natural Dyes - Old Traditions Dye Hard, for that we thank you!

Natural Beauties

Navajo's use of natural dyes has a long history.  Some scholars believe Navajo weavers began using natural materials to dye their wool as far back as the 1700s.  We agree!

Let's start with Indigo blue.  Indigo dye is made from Indigofera Tinctoria plant that grows in Mexico, Central and South America.  Mexico grew and processed the Indigo plants into a dye powder.  
   Indigofera tinctoria Indigofera Tinctoria

The dye became a popular export from Mexico. The Old Spanish Trail  - sometimes referred to as the Indigo Trail - begins in what is now Mexico City and goes all the way to Taos, New Mexico.  In the 1700s Mexican traders worked all the way up and down the trail,  bringing Indigo to the Navajo weavers.   Natural Indigo is still use today!  
Cochineal wool
Indigo Blue,  (Photo Credit: Isabella Whitworth)
 

On to Cochineal dye.  Cochineal dye has and interesting history.  It starts with a tiny insect named Cochineal and the Prickly Pear Cactus.  The insect lives on the pads of the cactus.  The insects are brushed from the cactus, sun dried and ground into a dye powder.  The dye creates beautiful deep scarlet, red and purple hues.  During the Aztec Empire,  Cochineal became Mexico's second-most valued export, second only to silver.  When the Spanish arrived in 1519 they were impressed and intrigued with the Aztec's use brightly colored clothes.
Prickly Pear Cactus invested with cochinealPrickly Pear Cactus infested with Cochineal,  
(Photo credit: Tucson Cactus and Succulent Society)

In Europe at that time purple and scarlet red fabric was so outrageously expensive that only rulers could afford it. The dye initially used to make purple, came from the Phoenician trading city of Tyre, which is now in modern-day Lebanon. Fabric traders obtained the dye from a small mollusk that was only found in the Tyre region of the Mediterranean Sea.  

After the Spanish conquered the Aztec Empire,  they began to export Cochineal dye to Europe.  The dye was consumed throughout Europe and was so highly prized, at one point is was more valuable than gold.  Fun Fact:  because purple was so closely linked to power, wealth and royalty, Queen Elizabeth the first forbade anyone except close members of the royal family to wear purple. 
 
Due to Cochineal's value, very little made it's way up the Spanish Trail.  Because of that weavings with Cochineal dyed wool is very rare.  Most weavings with red made in the 1800s is made with Cochineal dyed Spanish Bayetta.  Bayetta cloth was made in England for the Spanish traders.  The cloth made its way back to the US where it was distributed to the Navajo.  The weavers liked the red so much they would painstakingly unravel the cloth and incorporate it into their weavings.  Today our weavers use Churro wool dyed with Cochineal,  which creates absolutely beautiful weavings.  
Cochineal dyes wool
Cochineal dyed wool
You may be surprised to know Cochineal is used for more than just fabric dye.  Get ready,  Cochineal, also known as carmine, or Natural Red 4 is used in the food industry, cosmetic industry and even in pharmaceuticals.  Yikes!  So, if insects in your food is just not your thing,  read the label!
 
A bit of dark, however important, history which backs up our belief that early Navajo weavers used natural dyes in the 1700s . 
Massacre Cave Canyon del Muerto
Massacre Cave, Canyon Del Muerto, Cayon De Chelly
In the late 1700s the Navajo were at war with neighboring tribes and the Spanish Colonist in the Rio Grand Valley.  Spain dispatched a punitive expedition to the Navajo stronghold of Canyon De Chelly.  This punitive expedition was sent to punish the Navajo in the worst way.

When the Navajo heard the Spanish expedition was on the way, most fled the canyon.  Yet a group stayed behind.  The women, children and the elderly in the group were hidden in a cave high above the canyon floor.  The men waited in the canyon for the expedition to pass.  The story is one of the women in the cave, thinking they were safe from harm,  yelled at the Spanish expedition as they rode by, blowing their cover in the cave.

The Spanish opened fire on the cave killing many inside.  The survivors didn't last long as the Spanish troops found their way into the cave killing the remaining Navajo.  Spanish documents report that over 115 Navajo were killed that day - the women, children and elderly in the group.

Superstitions kept the cave untouched for 100 years until a trader by the name of  Sam Day explored the cave.  He found one complete blanket and fragments of clothing and blankets inside the cave along with skeletons of the inhabitants.  Marks of the bullets left on the cave ceiling can still be seen today.  Since that time the cave has been known as Massacre Cave.

Day retrieved the blankets and sold them to museums around the U.S.  Those blankets are believed to the oldest Navajo blankets in existence.  Below is one of the blankets, which has wool dyed with Cochineal!  
  massacre cave blanket
One of the oldest surviving Navajo blankets (circa 1800) from Massacre Cave in Canyon DeChelly,  (Photo credit:  Art Quil)



Below are a few weavings available with natural dyed Indigo and Cochineal.  
This small Navajo weaving is extremely special, circa 1865.  Woven for a baby in the classic period. It is finely woven with white and Indigo dyed home spun wool,   2 shades of red Cochineal Bayatta and light peach Cochineal Bayetta.


Chief Navajo Blanket
1st Phase Chief Blanket, Churro # 1569
Navajo weaver Judy Marianito just finished (2018) this unique 1st Phase Chief Blanket.  It is woven like a classic Chief Blanket,  it has the handle of a true blanket weave. Narrow Cochineal red and Indigo blue stripes are highlighted with a thick black band.  The ivory banding adds to the over all effect.  Truly special.  
Questions, comments?  We would love to talk with you!  Give us a call at the gallery 520-455-5020.

 

 

  • Beth Barth
An Organic Experience

An Organic Experience

1984, Steve with some of the artists responsible for the dyed wool inspect the fruits of their labor for the first time.  They greatly admired and enthusiastically discussed the piece, and each was justifiably proud of her own contribution to it.


Excerpt from The Fine Art of Navajo Weaving, text by Steve Getzwiller, photos by Ray Manley
The textile shown here represents a significant achievement in contemporary Navajo weaving.  It is a combination of the talents of six of the most talented vegetal dye artist of the Wide Ruins area, and the weaving and design abilities of two of the finest weavers of the Ganado region.  
There are twenty-five subtly blended vegetal dye colors involved in the weaving.   They represent some of the more desirable hues which the following six ladies are most noted for: Ellen Smith,  Nellie Roan,  Marie Begay,  Betty B. Roan,  Annie Tsosie and Mary Jane Barker. This dye information is generally shared only with family members and no one else, which, by the way, is another reason for much of the experimentation.  Some colors are considered by some weavers to be family hallmarks.
Over a period of several years,  Steve established the confidence necessary to commission the preparation of the wool used in this rug. The actual preparation time required approximately six months.  These ladies would never consider doing this for someone they did not know well and trust.  
Steve commissioned Sadie Curtis to do the weaving of this piece because of her outstanding design and technical ability.  Together with her aunt, Alice Balone, and in approximately six months of weaving time, they completed this masterpiece.  It is exceptionally large, 6" x 9", and is finely woven for a rug of this type, for most pieces do not exceed 3' x 5', or 4' x 6'.
Burntwater Navajo Rug Nizhoni Ranch Gallery
This incredible piece of art is featured at the Desert Caballeros Western Museum as part of the exhibit, "One Traders Legacy, Steve Getzwiller Collects the West"

 Weavers are still weaving gorgeous Burntwater rugs today.  Some still go to the extra mile and make their own dyes using native reservation plants and other natural materials.  Using vegetal dyes, also known as natural dyes, plays a major role in the quality and value of Burntwater rugs.  In fact, weaving a rug with hand dyed natural wool can double the amount of time it takes to complete a weaving.  Therefore, weavings made with natural dyes are of much higher value.  Important to note, when purchasing a Burntwater rug,  be sure to identify if the weaver used vegetal dyes versus analine (commercial) dyes as it greatly impacts the value of the weaving.

Elvie Van Winkle, one of our contemporary weavers, is known for her very tight Navajo weavings, but this weaving was a whole new adventure for her.  As she wove this rug, she also hand dyed the wool with natural dyes to create the most incredible colors and color combinations.  She learned this regional style and family secret dye colors from Lillian Joe, her mom, who continues to weave today.  Lillian is well known for weaving with fine wool, and usually produces small weavings.  

 This weaving is 3' x 4' and showcases Elvie's incredible talent.  It is everything that a Burntwater should be, colorful, balanced and intricate!  Elvie told us she used 60 different wool colors and except for just a few were all hand dyed with vegatal dyes!!!

Elvie won 1st Place and Best of Category at the 2018 Gallup Inter-Tribal Ceremonial in August for this incredible weaving.  Sorry, it's no longer available!  

Burntwater Navajo Weaving : Elvie Van Winkle : 3352

 

Below is Elvie's latest work of art.  She is so talented!  Not sure if this one will last until August..so that we can enter it into the 2019 Gallup Inter-tribal Indian Ceremonial.  No ribbon or not this is truly spectacular weaving!

BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373

BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373

 

 burntwater-navajo-weaving-on-the-loom_1024x1024 Elvie Vanwinkle

As always, we'd love to talk about our weavings!  Give us a call!  520-455-5020

    • Beth Barth
    News Flash!  Third Encore!  Desert Caballeros Western Museum Exhibit

    News Flash! Third Encore! Desert Caballeros Western Museum Exhibit

    We Are Thrilled!  Held Over for a Third Run! 

    The Desert Caballeros Western Museum in Wickenburg, has asked to extend our exhibit “One Trader’s Legacy:  Steve Getzwiller Collects the West”. through September 2019!  (the media release reflects through May of 2019, but since going to print DCWM has asked for it to stay through September 2019!)

    DCWM PR One Traders Legacy

     Below is the great article Susan Sorg wrote about our first hold over!

    Encore! Encore! Encore!

    By Susan Sorg 

                When a rock star or performing artist exceeds the audience’s expectations, there’s usually an extra number, an extra song or bow given…an encore performance.  But in the museum world, what would the encore for a special exhibit be?  How about an extended stay?  That’s exactly what’s going on at the Desert Caballeros Western Museum in Wickenburg, with “One Trader’s Legacy:  Steve Getzwiller Collects the West”.

                This stunning collection of art, artifacts and historical pieces opened to the public in November 2017 and was scheduled to close June 3rd.  Approximately 20,000 museum attendees have seen it so far.  However, if you haven’t yet, you now have until October 28th to take it all in.  It’s a move unprecedented by the museum.  “It’s an extraordinary step for us, but it’s by popular demand,” says museum Executive Director Daniel Finley.  “People just seem to not get enough of it, so we’re very happy to accommodate.”

                Getzwiller, who has his own venue, Nizhoni Ranch Gallery in Sonoita, has also exhibited in other galleries and museums throughout the West over the years.  He says this extension is a first for him as well.  “This is the fifth show that I’ve done with Desert Caballeros,” he says.  “I consider it an honor.”

                Steve Getzwiller, long considered a premier expert, collector and dealer in Navajo textiles has not only helped to preserve this particular art form, but raised it to a new level as he’s expanded the horizons and materials of several master weavers.  Besides using the traditional churro wool, they’ll also now use silk or alpaca when creating special “wearable art” as he calls some of the ponchos and blankets also on display here.

     For the past 50 years, he’s been working with and gaining the trust of generations of weavers within the Navajo Nation.  Steve and his wife Gail have become extended family to some of these artisans.  But, he’s also become acquainted with and doing business with other Native American artists in pottery, basketry, jewelry and other art forms as well as quietly collecting for himself some outstanding and historical pieces.  Many of these now fill the display cases at the Wickenburg museum with several magnificent and award-winning rugs hanging from the rafters.

    Getzwiller is the real deal when it comes to being an authentic cowboy and rancher.  His western roots run deep in southeastern Arizona, even stretching as far back as the founding of the Republic of Texas.  This is reflected in one of the displays at Desert Caballeros.  “The Family” case includes old branding irons used by generations of Getzwillers along with ropes and spurs which once belonged to his dad, a rodeo contender on the national level in the 1940s, 50s and 60s.  Behind it all hangs a Navajo weaving depicting a cowhide with the various family brands incorporated.  This is the first time the public is getting a truly personal glimpse into the very private life of Getzwiller.

    There’s also historic Navajo weavings, true one-of-a-kind pieces dating back to the mid-1800s which you won’t find anywhere else, along with antique Navajo saddles and silver headstalls.  The same is true of Hopi pottery with the works of generations of the Nampeyo family dating back to the early 1900s.  Other displays have Apache items made during the days of Geronimo.  Then there’s the display of western firearms, including the pearl-handled pistol of a Tucson lawman.

    Basketry plays a major role, as well, with the very best of Hopi, Apache, Pima, and several California and Pacific Northwest tribes.  You’ll see Hopi kachinas crafted by Lowell Talashoma and paintings by Navajo and Hopi artists near paintings by western artist Jack Van Ryder.  Then there’s several magnificent orotones from the early 1900s done by Edward S. Curtis, as he captured the end of an era in Native American history.

    Museum Executive Director Daniel Finley says it’s the depth of Getzwiller’s collection which really draws people in.  “First off the overall reaction is that it’s tremendous.  Steve and Gail have the best collection of the Navajo blankets and other artifacts that there is.  Steve’s the best collector in the world of these things…Just the best there is.” 

    Getzwiller says he’s a collector first, so when he came across many of these special items, it was an opportunity he just could not pass up.  He’s already hard at work on an upcoming show in Santa Fe in August, before, during and after the annual world renowned Indian Market.  The pieces currently in Wickenburg, though, will remain through October 28th, with another 5,000 people anticipated to go through the museum.  That’s good news for those planning a visit to Desert Caballeros, and certainly pleasing to Executive Director Finley.

    “I can tell you that people are certainly excited to see it for the first time, and are encouraging others to come.  No question about that.”

     Desert Caballeros Western Museum - Steve Getzwiller


    Town of Wickenburg AZ

    Wickenburg...Historic Wonder of the West

    Want an authentic taste of the wild west?  Wickenburg is the real deal.  The town has successfully merged the past with the present in a way that awakens the cowboy in everyone!

     

     

    • Beth Barth